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	<title>Robyn Huey</title>
	<link>https://robynhuey.com</link>
	<description>Robyn Huey</description>
	<pubDate>Tue, 30 May 2023 05:11:59 +0000</pubDate>
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		<title>xxxResources</title>
				
		<link>http://robynhuey.com/xxxResources</link>

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		<pubDate>Tue, 30 May 2023 05:11:59 +0000</pubDate>

		<dc:creator>Robyn Huey</dc:creator>
		
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		<description>
Robyn Huey
Here is a growing collection of media that influences my understanding of sound in the larger context of filmmaking. At the moment, this is mostly theoretical, rather than technical. (Last updated 8/15/23)


Stretching Sound to Help the Mind See&#38;nbsp;
By WALTER MURCH
Designing A Movie For Sound 
By Randy Thom
Making Waves: The Art of Cinematic Sound 
Directed by Midge Costin 
A pretty comprehensive documentary that explores the history, importance, and process of sound for motion pictures.&#38;nbsp;



Norman McLaren: Pen Point PercussionAn introduction to the hand-drawn sounds of Norman McLaren. Prepared by Don Peters and Lorne Batchelor. 1951. 
A fun way to learn how to interpret sound waves if you’re a visual learner. Norman McLaren’s work is also just really cool. He was making electronic music before the invention of synthesizers by drawing on optical tape.&#38;nbsp;

Film Sound: Theory and Practice

Edited by Elisabeth Weis (Editor) and John Belton (Editor) 
A collection of essays ranging from the history of sound in motion pictures to different ways filmmakers have approached the use of sound.



Film Directing: Shot by Shot - 25th Anniversary Edition: Visualizing from Concept to Screen 
by Steve D. Katz 
There are several books out there about visual storytelling and planning shots. This is just one that I was required to buy for a class. I mostly found this useful for booming and knowing what’s going on. For example, if I can’t boom a wide angle shot, I feel okay because I know we’ll probably go in for coverage on a tighter shot. This also helped me understand lenses and using that information to determine how close I can get with my boom.&#38;nbsp;
In the Blink of an Eye: A Perspective on Film Editing
by Walter Murch 
I’m just a big fan of Walter Murch and how he views cuts like blinking and how a blink is us digesting a piece of information.
Dialogue Editing for Motion Pictures: A Guide to the Invisible Art 
by John Purcell 
I’m still reading this, but so far, it gave me insight into the history of syncing sound to picture and the process of going from picture edit to sound edit.
 
Update 8/15/23: I’ve read through chapter 13. Some of the technological information is a little dated, but everything else has given me an understanding of how the entire post-production sound process goes on larger projects. Knowing what a dialogue editor deals with in post helps inform my work as a production sound mixer.&#38;nbsp;
The scientists coaxing back nature with sound
by Katherine Latham 
This isn’t about filmmaking, but wouldn’t it be cool if your job was recording and designing “seabird discotheques”? A great example of how sound impacts the natural world and the powerful impact of this invisible force.Ren Klyce on sound part 1
Ren Klyce on sound part 2&#38;nbsp;Ren Klyce is known for his sound design work on David Fincher projects. I love his work and how he’s influenced by musique concrète.

  
huey.robyn@gmail.com415.948.1022




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		<excerpt> Robyn Huey Here is a growing collection of media that influences my understanding of sound in the larger context of filmmaking. At the moment, this is mostly...</excerpt>

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		<title>xxxAbout</title>
				
		<link>http://robynhuey.com/xxxAbout</link>

		<comments></comments>

		<pubDate>Tue, 30 May 2023 05:11:54 +0000</pubDate>

		<dc:creator>Robyn Huey</dc:creator>
		
		<category><![CDATA[]]></category>

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	
	&#38;nbsp;


    

	Robyn Huey (she/they) is a production sound mixer and post sound designer from San Francisco, CA now based in Brooklyn, NY. 


Their work ranges from narratives, documentaries, and commercials. Outside of production sound mixing, she has been an A2, sound utility, and boom operator on several New York TV shows, such as Drag Me to Dinner, The Other Two, FBI: Most Wanted, Law &#38;amp; Order: Organized Crime, New Amsterdam, and The Blacklist. 


Robyn enjoys planning and working with sound in all stages of a narrative film’s development from pre-production to production to final mix. Some special interests include strategizing ways to capture dialogue in challenging locations and using sounds from everyday life, rather than score, to create emotion. 

 
	
&#60;img width="3938" height="5028" width_o="3938" height_o="5028" src_o="https://cortex.persona.co/t/original/i/daa678cd846777da08d502fc80d560ee36a2936a8cf9524ab470a15b1f97864f/000031750008.jpeg" data-mid="1400889" border="0" /&#62;
photo credit: gia rigoli




Work&#38;nbsp; &#38;nbsp;&#38;nbsp;Home

  
huey.robyn@gmail.com415.948.1022</description>
		
		<excerpt> 	&#38;nbsp;         	Robyn Huey (she/they) is a production sound mixer and post sound designer from San Francisco, CA now based in Brooklyn, NY.    Their...</excerpt>

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	<item>
		<title>xxxProjects</title>
				
		<link>http://robynhuey.com/xxxProjects</link>

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		<pubDate>Tue, 30 May 2023 05:11:44 +0000</pubDate>

		<dc:creator>Robyn Huey</dc:creator>
		
		<category><![CDATA[]]></category>

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		<description>
Robyn HueyPersonal projects
Piezo Contact Mics (Ongoing)
I’m currently making contact mics from scratch for creative and practical use. It’s been a fun way to learn how piezoelectricity works and the general mechanics of microphones. 


Samples and pictures in progress.





“A Picture of My Mom”&#38;nbsp;



A short documentary made during the pandemic that explores my mom’s experiences and identity as a Chinese-Mexican woman. A fairly personal project that’s unfinished, but maybe a start to something bigger.
 Contact me for the password if you’re interested in watching.





  
huey.robyn@gmail.com415.948.1022
</description>
		
		<excerpt> Robyn HueyPersonal projects Piezo Contact Mics (Ongoing) I’m currently making contact mics from scratch for creative and practical use. It’s been a fun...</excerpt>

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	<item>
		<title>xxxWork</title>
				
		<link>http://robynhuey.com/xxxWork</link>

		<comments></comments>

		<pubDate>Tue, 30 May 2023 05:11:39 +0000</pubDate>

		<dc:creator>Robyn Huey</dc:creator>
		
		<category><![CDATA[]]></category>

		<guid isPermaLink="false">443565</guid>

		<description>

	 
	 

Narrative work:&#38;nbsp; 

Select projects
	T-Mobile:Presentado Magenta Status
commercial
production sound mixer


	
Hulu:Drag Me to Dinner
reality
A2

	
Test Drive
narrative
production sound mixer


	
10 Dollar Toilet Seat
documentary
production sound mixer
re-recording mixer




	
RWJF: Birthing Stories
documentary
production sound mixer
	BAM (Brooklyn Academy of Music)
production sound mixer




Home &#38;nbsp;&#38;nbsp;About
  
huey.robyn@gmail.com415.948.1022</description>
		
		<excerpt>  	   Narrative work:&#38;nbsp;   Select projects 	T-Mobile:Presentado Magenta Status commercial production sound mixer   	 Hulu:Drag Me to Dinner...</excerpt>

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	</item>
		
		
	<item>
		<title>Home</title>
				
		<link>http://robynhuey.com/Home</link>

		<comments></comments>

		<pubDate>Tue, 30 May 2023 04:57:01 +0000</pubDate>

		<dc:creator>Robyn Huey</dc:creator>
		
		<category><![CDATA[]]></category>

		<guid isPermaLink="false">443564</guid>

		<description>Robyn Huey
Production Sound Mixer
based in NYC&#38;nbsp;

Visit my IMDb


huey.robyn@gmail.com415.948.1022
</description>
		
		<excerpt>Robyn Huey Production Sound Mixer based in NYC&#38;nbsp;  Visit my IMDb   huey.robyn@gmail.com415.948.1022 </excerpt>

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